My best, bittersweet New Year’s Eve memory is that of my parents dancing around the living room to Guy Lombardo “Auld Lang-Syne” or Glenn Miller’s “What Are You Doing New Year’s Eve.” By the time they were raising me and my younger sister, the last of their eight children, they didn’t often find much time to dance. They both were working two jobs. The economy in the 1970s was much like it is today. Mom’s health issues were just beginning to manifest themselves, and Dad was approaching 60. And yet dancing on New Year’s Eve seemed the most natural state for them. After all, that is how they met.
This biographical introduction was commissioned by Antinous Press for their 2008 hardcover volume Bruce of Los Angeles: Inside/Outside. It was intended to accompany the brief intro by New Yorker columnist Vince Aletti. Unfortunately, the publication became too unwieldy and my piece was cut at the eleventh hour for space.
Los Angeles Transformations:
Bruce Harry Bellas, 1919-1974
In the first half of the Twentieth Century most of Los Angeles California’s population was from somewhere else. Between 1910 and 1950, a booming economy, social freedom and the entertainment industry made Los Angeles the true “land of opportunity” for more than a million new residents. Hollywood in particular was a place where one could completely transform oneself. Through the magic of the camera, chorus girls became sophisticates, jocks became gladiators, cowboys became legends, and farm boys became notorious. So in the late 1940s, when Nebraska high school teacher and amateur shutterbug Bruce Bellas lost his teaching job, he too went to Los Angeles.