Last week a friend posted a Gawker video of consummate New York actress Elaine Stritch saying “fuck” while on the Today show to promote Shoot Me, the new documentary about her life.
I actually don’t understand why hosts Hoda Kotb and Kathie Lee Gifford were so surprised, except to fain chagrin for anyone in the home audience who was offended by it. But I suspect most people would have been more surprised if Stritch had not said “fuck.” She has built a long career on being herself—a crusty New York broad who speaks her mind with unapologetic gusto and humor—and everyone knows it.
Nelson Mandela’s death reminds me of all the great men and women who put their lives on the line for peace and justice, especial those of my childhood.
As a kid in Catholic grade school in the 1960s I was very aware of what the “reason for the season” really was. It was something more powerful than Santas kneeling before a manger, a fish on a bumper sticker, or a fight in a mall parking lot over being wished the wrong happiness.
We were taught that the message of the first Christmas was the longed-for good news of the coming of peace and justice to those who needed it most: the poor, the war-torn, the oppressed, and to ourselves when we recognize our humble role in the story. The great messengers of my childhood were not just from MY church or MY country, but from all over OUR world, and these men and women literally risked their lives for it.
My sister Sally’s return address stuck out on the corner of the padded parcel envelope that someone had crammed into my mail cubby in the faculty lounge. I removed my gloves and carefully extracted the package from its tight squeeze, fearing that Christmas cookies, or what have you, might have been crushed. It was that time of year again. From Thanksgiving to New Years, my large family sent small gifts and packages to my work address in the City (the postal service in Brooklyn was not to be trusted), and most times the people at the elementary school knew better than to cram a package of cookies into a five-by-five-inch cubby.
As I freed the last corner of the envelope from the metal rim of the mailbox, I could tell that the contents were not crumbly at all. Rather, whatever was inside felt soft and pliable, like a small quilt or pillow. Continue reading “working-class heirlooms”→